making the space

Photography

go to Michael Lundgren’s website here. 
matter-13Michael Lundgren, Algaeic Fox from Matter 2006 – Present

matter-22Michael Lundgren, Static Fog from Matter 2006 – Present.

matter-12Michael Lundgren, Untitled (parasite)  from Matter 2006 – Present

coalearthMichael Lundgren, Untitled (earth) from Matter 2006 – Present

matter-3Michael Lundgren, Cubic from Matter 2006 – Present

When you feel two almost conflicting emotions about something, that experience is way more compelling than when you are fully convinced and that your opinion is right. When you do that something else emerges. In my daily life I spend most of my time believing all these little stories I tell myself about what I am and who I am and who other people are and what I’m doing here, who has wronged me, all this stuff, whatever it is, even if I’m just feeling sad. If I say to myself the opposite, if I describe to myself the complete opposite of the way I am thinking and feeling, these two versions sit together for a little bit in the center of my world and then something else shifts and I can’t believe either one of them. I want to make photographs like that. – Michael Lundgren. Read more here

Dead of Desert

Art, Photography

Charles Anthony Darr’s Artist Website Here. Screen shot 2013-09-25 at 5.39.31 PMCharles Anthony Darr, Michael Lundgren, Photographic Artist /Educator 

Screen shot 2013-09-25 at 5.39.00 PMCharles Anthony Darr, untitled from Portraits 2013.

Screen shot 2013-09-25 at 5.38.50 PMCharles Anthony Darr, Bill Jenkins, Photographic Artist /Educator 2013.

003-e1362023481166Charles Anthony Darr, David Lemmon, Photographic Artist 2013.

Screen shot 2013-09-25 at 5.36.42 PMCharles Anthony Darr, Morgan Parsons, Gardener 2013. 

Screen shot 2013-09-25 at 5.36.30 PMCharles Anthony Darr, Daniel Kim, Photographic Artist 2013.

013-e1362024967358Charles Anthony Darr, Adam “Dumerfoo,” Painter 2013. 

0111-e1362031824498Charles Anthony Darr, Brad B, Musician 2013.

007-e1362024114613Charles Anthony Darr, Alex “Djentrification”, DJ, 2013.

004-e1362023570822Charles Anthony Darr, Betsy Schneider, Photographic Artist/ Educator 2013.

My life has been blessed with genuinely interesting and gifted people. What a great opportunity I have to photograph these individuals who are here in the Valley, amongst the flat-liners, in the hellacious heat that is unforgiving of wax wings, and who don’t care. They just keep doing it, because that’s what artists do. – Charles Anthony Darr, read more about Charles and see more work in an article found HERE. 

13.

Art, Photography

Betsy Schneider’s Artist Website Here. 
This work is included in Making Pictures of People: Recent Perspective on Photographic Portraiture,  an on-line exhibition presented by  Flakphoto.com  

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Betsy Schneider, Jack from TRISKAIDEKAPHOBIA 2012. Screen shot 2013-08-18 at 3.44.28 PMBetsy Schneider, Hailey from TRISKAIDEKAPHOBIA 2012.

Screen shot 2013-08-18 at 3.44.41 PMBetsy Schneider, Hope from TRISKAIDEKAPHOBIA 2012.

Screen shot 2013-08-18 at 3.44.49 PM
Betsy Schneider, Hunter from TRISKAIDEKAPHOBIA 2012.  Screen shot 2013-08-18 at 3.45.31 PM

Betsy Schneider, Maggie  from TRISKAIDEKAPHOBIA 2012.

Screen shot 2013-08-18 at 3.45.03 PMBetsy Schneider, James from TRISKAIDEKAPHOBIA 2012.

Screen shot 2013-08-18 at 3.45.18 PM
Betsy Schneider, Madeleine from TRISKAIDEKAPHOBIA 2012.

I make pictures of people. I hope that they bring pleasure and provoke thought. These pictures are about keeping track, taking something away — collecting personalities so I can have another look at people or moments, so I can show them to someone else, maybe even so I can keep the experience I had of being with that person. – Betsy Schneider

i’ve walked these streets

Art, Photography

 

 

Andrew Hammerand’s Artist Website Here.
& his tumblr, Unsuspecting Visitors Here. 
Screen shot 2013-07-24 at 11.13.39 PMAndrew Hammerand, Untitled from american standard 2011. 

Screen shot 2013-07-24 at 11.13.47 PMAndrew Hammerand, Untitled from american standard 2011.

Screen shot 2013-07-24 at 11.14.11 PMAndrew Hammerand, Untitled from american standard 2011. Screen shot 2013-07-24 at 11.03.45 PM
Andrew Hammerand, Untitled from the lake where gods devoured 2009-2010.

Screen shot 2013-07-24 at 11.04.15 PMAndrew Hammerand, Untitled from the lake where gods devoured 2009-2010.

Screen shot 2013-07-24 at 11.04.29 PMAndrew Hammerand, Untitled from the lake where gods devoured 2009-2010.

Screen shot 2013-07-24 at 11.03.59 PMAndrew Hammerand, Untitled from the lake where gods devoured 2009-2010.

damaged bad at best

Art, Photography

Edgar Cardenas Artist Website Here. 
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Edgar Cardenas, Untitled from Travels in the Desert 2013.

_MG_5288Edgar Cardenas, Untitled from Travels in the Desert 2013.

_MG_5599Edgar Cardenas, Untitled from Travels in the Desert 2013.

_MG_5193Edgar Cardenas, Untitled from Travels in the Desert 2013.

cactusme
Edgar Cardenas, Untitled from Travels in the Desert 2013.

_MG_5340Edgar Cardenas, Untitled from Travels in the Desert 2013.

_MG_5772Edgar Cardenas, Untitled from Travels in the Desert 2013.

_MG_7559
Edgar Cardenas, Untitlted from The Place No One Used to Know. Mark Klett moon-1
Edgar Cardenas, Untitlted from The Place No One Used to Know.  _MG_0094
Edgar Cardenas, Untitlted from The Place No One Used to Know.  _MG_1666
Edgar Cardenas, Untitlted from The Place No One Used to Know. 

peace and paradise.

Art, Photography

Lundgren_46-1

Michael Lundgren, Untitled from Transfigurations 

Lundgren_66

Michael Lundgren, Untitled from Transfigurations 

Lundgren_54

Michael Lundgren, Untitled from Transfigurations 

Lundgren_77Michael Lundgren, Untitled from Transfigurations

I hope it is true that a man can die and yet not only live in others but give them life, and not only life, but that great consciousness of life. –  Jack Kerouac

evolving with the land.

Art, exhibitions, Photography

Andy Adams of FlakPhoto.com  in conjunction with the exhibition America in View: Landscape Photography 1865- now organized by the Museum of Art, RISD, has produced an online exhibition called Looking at the Land: 21st Century American Views. The project chronicles and explores where landscape photography is now. The Post-New Topographics landscape photographic transition (as Adams assigns it), a point in photography where we are no longer infatuated by suburban sprawl but rather have come to accept it. We have grown up in it. Where nature and the wilderness are foreign and must be sought and still are hard to see. Adam explores our subjectivity further and interviews each of the selected artist about their image, influences and where they believe landscape photography is headed. The project provides an interesting, heartbreakingly amusing view of the world we live in. It manages to re-position landscape photography, a term in my mind that is reserved for the black and white masters of the early 20th century, into a new modernity. Check out the entire project HERE.  

Rob Hann, Untitled Tocca, Georgie 2008

{Why did you photograph this place?} There’s humor in this picture as well as a sense of wonder… what’s happening here? I think you can read something about the nature of invasive species into the picture but that’s not really my intention.- Rob Hann in conversation with Andy Adams for the project Looking at the Land by FlakPhoto.com

Daniel Kukla, Porcupine Wash, Joshua Tree National Park, California 2012

{Why did you photograph this place?} I created this particular image in a dry river bed (wash) and angled the mirror towards the stars. This area is at a high altitude around 3,500 feet and has very little light pollution, so the night sky was particularly vivid. While I was making the photograph I remember thinking how strange it seemed to see the cosmos restricted by the edges of the mirror. It’s impossible to hold a frame to something as great and vast as our universe. Daniel Kukla in conversation with Andy Adams for the project Looking at the Land by FlakPhoto.com

Christine Carr, Roanoke, Virginia 2005

{Why did you photograph this place?} Normally I search for a particular location, light or structure, but this was spontaneous. Big clouds mesmerize me, so I was looking in that direction and as I rounded the corner I saw this image. I slammed on the brakes in the middle of the road to get a better look and promptly found a place to park as I scurried for my camera. I do most of my shooting in the evening, but I happened to have my camera with me that day, just in case. – Christine Carr in conversation with Andy Adams for the project Looking at the Land by FlakPhoto.com

 
Christopher Colville, Constellation Phoenix, AZ 2008
{Why did you photograph this place?} I spend a lot of time walking in the desert at night. There is a certain clarity afforded by the open space and many things are outside of our ability to see them until we’re directly confronted with them. I am also interested in making photographs that explore experiences beyond my comprehension. This image holds a special place for me — I made it while on a walk through the desert at night. I had been contemplating the light of stars when I stopped and found this constellation of metal discs at my feet. The discs reflected the light of the moon from the desert floor, placing me somewhere between constellations.- Christopher Colville in conversation with Andy Adams for the project Looking at the Land by FlakPhoto.com

also can’t mention this project without plugging my alma mater. Check out all 5 members of the ASU Photo Program featured in this project:  ChristopherColville. MikeLundgren. AaronRothman. AdamThorman. BuckyMiller.

in the eyes of strangers

Art, Photography

I saw Nadia Sablin’s MFA thesis exhibition Together and Alone over a year ago, but still her photographs are engraved in my mind. This is a true distinction in such a highly visual driven society. I look at hundreds of images a day.. but it’s the ones that come back to me, that persistently invade my mind and force me to return to them that solidify a photographer’s place. That for me, is Nadia Sablin. Maybe I am a tad bias, maybe it’s the incredibly intense photograph below of my favorite photo professor or the charged image of a former classmate, Eddie with his mother. Though looking at her other work I realize it’s not the fact that I know the people. It’s in the eyes of the strangers as well.

She currently lives and works in Brooklyn and you must go check out her other work now. here!

Nadia Sablin, Betsy in the Pool from Together and Alone 2009

Nadia Sablin, Untitled from Together and Alone 2009

Nadia Sablin, Untitled from Together and Alone 2010

Nadia Sablin, Untitled from Musician Towers 2011

Nadia Sablin, Untitled from Musician Towers 2011

artist website

bike ride

Art, My Photography, Photography, Poetry, Words of Wisdom

“… is a way of feeling, of touching, of loving. What you have caught on film is captured forever… it remembers little things, long after you have forgotten everything.” -Aaron Siskind

838

Art, My Photography, Photography, Uncategorized

Check out my class blog to see my latest photo project. here.

Gallery 100

Art, exhibitions, Photography, Uncategorized

This last week at Gallery 100 was the first of the senior  photography BFA exhibitions of the Fall. A couple of my fellow peers who I have had many classes with had work in this show  titled “Dilemma: Now What?” and  although the exhibition has now been taken down I still thought I would share with ya’ll some of the other soon to be graduated photographers.

The first is my friend Daniel Kim. Daniel, is in my portraiture class, and he showed his self-portrait assignment for his BFA showcase. The black and white digital print photographs are of him, placed in front of a stark white wall, shaving his head into his hair cut he has for his training in the U.S. Army Reserves.

Daniel Kim Photograph from series

Each photograph goes through the steps of this morning “ritual”, he calls it. He evolved this series even further by adding a hand written letter to his mother,

Daniel Kim’s series: Photo courtesy of Krystal Macdonald

who recently passed away. Each simple, but powerful sentence went with a photograph and by the end, my eyes are always watering.I loved the subtly and purity of the photographs as well as my favorite element, that the last image was not the image I expected.Daniel is a photographer who is established around the area for his stylized wedding photography. Check out his website HERE!

Danielle’s series Climb, Photo courtesy of Krystal Macdonald

Krystals series “From the Family Archives” Photo courtesy of Krystal Macdonald

I have had many classes with a few of the other photographers in “Dilemma: Now What?”: Danielle Deutsch, Charles Anthony Darr, and Krystal Macdonald. Danielle Deutsch series’ of digital archival prints creates a separated panoramic experience titled “Climb.” This appealing landscape is a tribute to the beauty of the Arizona desert landscape, a comment on the mark of man, and her relationship as a documentary explorer through it all. Check out her blog HERE!! Charles Anthony Darr had a slideshow projected in a secluded corner, proving the pure quantity of photographs Charles produces. Charles photographs using a small Canon s90, which allows him to photograph nearly constantly. The title for his piece is “Matter of Time.” If you’d like to check out some of his daily photographs, go to his blog HERE!! Krystal Macdonald is another student who is currently in my self-portrait class. She is invested in her family, and captures these simple moments, that don’t just describe to you what her relatives look like, but rather embodies a feeling. The series she showed for the BFA show was a series called “From the Family Archives” which had black and white photographs of her racially different grandparents as well as a beautifully made book. The photographs are interesting and show a loving insight into a powerful bond.

Be sure to check out these emerging artist websites! Also Check out more photographs of the entire BFA show at Krystal Macdonald’s Album HERE!!

Influence

Art, Books, Photography, Uncategorized

Standing among the many shelves dedicated to photography books, on the 2nd floor of the famous Strand’s Bookstore in New York City earlier this month, a thought occurred to me. I don’t think many of my friends or family realize that my professors at ASU, are working and successful professional artists. My teachers here, are more then just teachers, not only are they my key into breaking into the hustling art world, but their work and their ideas are directly affecting my experiences and my vision as an artist. With that said, I am going to gradually start introducing some of the faculty that I have interacted with.

Stephen Marc Smith is currently my Senior Projects teacher. I have been working closely with him in evolving my Letters from Stephen project, as well as talking to him frequently about graduate schools. The one thing you need to know about Stephen is, he is a walking story book. I challenge you to walk into his office and not stay for longer then 45 minutes, because I am telling you.. it’s not possible. His insights and knowledge are limitless and he is more then willing to share with you every ounce of advice he has. And he has good advice. His knowledge is based on experience. He taught at Columbia College in Chicago for twenty years, and has been at ASU for twelve. He’s had work commissioned, countless exhibitions, two books published, and is sponsored by Olympus Camera.

The photographs he’s making currently, are complex and full of layers. For the past ten years he has traveled to over 20 states and taken thousands and thousands of photographs exploring the history and effects of the Underground Railroad. He creates digitally manipulated photo montages exploring the relationship between the past and the present. He collects and documents historical artifacts such as newspapers, old photographs, dolls, flags,  signs, postcards, and clothing dealing with slavery and the war and he places them in modern scenes of these once historical sights. He is combining the contemporary with the historical,  he is asking us to think about the history of a place and the effects of time and change. His research and knowledge of every aspect of each part of his photographs is astonishing. These photographs give more then just a visual experience, they are informing, and transforming, and forcing us to think about the relationship we have with our nation’s history. This work is published in book called “Passage on the Underground Railway” and he continues to work on the project.

A couple girls in my class have created a Twitter account for all the memorable quotes he says during class.  “Stephenisms” as we like to call them.. Here are a few of my favorites, but please feel free to visit the account.. here

“You have to figure out when it’s appropriate to give yourself a pat on the back, and when you have to give yourself a boot in the pants.”- Stephen Marc

“You have to remember that there’s a difference between taking a photograph and making a photograph.”- Stephen Marc

“Don’t throw the baby out with the bathwater.”- Stephen Marc

“Nobody cares what you had to go through to get it to look right. They don’t care if you get hit by a car, chewed on by a dog, whatever”- Stephen Marc

Stephen Marc, Passage on the Underground Railway

“This Mississippi montage merges a wrought iron fence and houses (possibly an extension of the slave quarters) in Vicksburg near the Cedar Grove Plantation, a cotton field and plow, torso with Phi Beta Sigma fraternity brands, and text from a slave owner’s letter defending his decision not to emancipate his slaves (Mississippi State archives).” – Stephen Marc , Courtesy of http://herbergercollege.asu.edu/marc/montages.html#

Stephen Marc, Passage on the Underground Railway

“This is a section of the Colored Cemetery outside Fort Erie, Canada, with the Niagara region “running man” sign marking an Underground Railroad site. The gentleman is holding a “Let Freedom Ring” commemorative brick at the Broderick Park UGRR dedication ceremony.”- Stephen Marc. Courtesy of http://herbergercollege.asu.edu/marc/montages.html#